Jillian Hogan, Lois Hetland, Diane B. Jaquith, Ellen Winner
Foreword by: David P. Nelson
Publication Date: August 24, 2018
Pages: 176
Students of all ages can learn to think like artists! Studio Thinking: The Real Benefits of Visual Arts Education changed the conversation about quality arts education. Now, a decade later, this new publication shows how the eight Studio Habits of Mind and four Studio Structures can be used successfully with younger students in a range of socioeconomic contexts and school environments.
Book Features:
COMPANION VOLUME—
Studio Thinking 2: The Real Benefits of Visual Arts Education, Second Edition
Lois Hetland, Ellen Winner, Shirley Veenema, and Kimberly M. Sheridan
Jillian Hogan is a doctoral student in developmental psychology at Boston College. Lois Hetland is professor and graduate coordinator of art education at Massachusetts College of Art and Design and a senior research affiliate at Project Zero, Harvard Graduate School of Education. Diane B. Jaquith is co-director of the Teaching for Artistic Behavior Summer Institute at Massachusetts College of Art and Design. Ellen Winner is professor and chair of psychology at Boston College and a senior research associate at Project Zero, Harvard Graduate School of Education.
“This is an excellent resource for both novice and experienced teachers.”
—SchoolArts
"This fresh, new work focuses on the development of younger minds... Studio Thinking from the Start is designed for any teacher regardless of discipline, especially novices."
―Arts & Activities
“Studio Thinking from the Start is a rich compendium of examples of the studio habits of mind, and novice and experienced teachers will appreciate seeing the practical application of this framework. The book will also be useful for students of art education being introduced to a variety of pedagogical practices in the field.”
―Teachers College Record
“If we want our students to think, if we want them to learn, we must engage them in habits of the mind that cultivate their innate abilities. The habits of artists in their studios can help all of us who teach to hone our techniques in every classroom and can aid administrators to see possibilities to enrich our schools for the sake of learners and teachers alike.”
—From the Foreword by David P. Nelson, president, Massachusetts College of Art and Design (MassArt)
"Starting young with studio thinking is a fabulous idea supported by this fine resource. After all, studio thinking thrives on art but applies to everything—habits of mind that help people to live their lives in thoughtful, curious, and creative ways."
—David Perkins, Harvard Graduate School of Education
“For experienced and novice teachers alike, for generalist teachers and for art teachers, Studio Thinking from the Start: The K–8 Art Educator’s Handbook is a needed addition to teacher resources for improving the quality of elementary art education. Focusing not on materials or project recipes, but on the language and interactions of teachers and students, this book supports teachers in deepening conversations about form and meaning by modeling simple elegant questions and exchanges that engage students as serious makers who are pursuing their own creative research agendas.”
—Olivia Gude, School of the Art Institute of Chicago
Table of Contents
Foreword by David P. Nelson
Acknowledgments
Introduction: Hidden in Plain Sight
Studio Thinking: A Lens
Teachers Weigh In About This Book
Developing Your Lens
A Note about "Pedagogical Appropriation"
Where to Find More
PART I: UNDERSTANDING STUDIO THINKING
Chapter 1. The Studio Habits of Mind
What Are Habits of Mind?
Using the Studio Habits: Micah's Self-Portrait
DEVELOP CRAFT: TECHNIQUE AND STUDIO PRACTICE
ENGAGE & PERSIST
ENVISION: IMAGINING AND PLANNING
EXPRESS: FINDING MEANING
OBSERVE: LOOKING CLOSELY
REFLECT: QUESTION & EXPLAIN, EVALUATE
STRETCH & EXPLORE: PLAY, USE MISTAKES, AND DISCOVER
UNDERSTAND ART WORLDS: DOMAIN AND COMMUNITY
Studio Habit Clusters
Studio Habits as Entry Points
In the Classroom: Catherine Karp's Fifth Graders Put Everything Together
Things to Think About
Chapter 2. Studio Structures
Adapting Studio Structures to the Elementary School
Zeroing in on Each Studio Structure
Moving from Structure to Structure: Transitions
Things to Think About
PART II: ENACTING STUDIO THINKING
Chapter 3. Portraits of Practice
"LET'S MAKE SOME ART"—JULIE TOOLE
"HAND, HEART, MIND AND COMMUNITY"—CELIA KNIGHT
"I HAVE SOMETHING THAT MIGHT WORK BETTER FOR YOU"—KITTY CONDE
Things to Think About
Chapter 4. Portraits of Planning
WHAT DOES IT MEAN TO MAKE ART?—NICOLE GSELL
PLANNING A YEAR IN A CHOICE-BASED CLASS—WYNITA HARMON
WORKING TOGETHER ON SCOPE AND SEQUENCE—CAREN ANDREWS AND JENNIFER STUART
DISTRICT-LEVEL PLANNING AND PROFESSIONAL DEVELOPMENT—ELEMENTARY ART TEACHERS OF ACTON-BOXBOROUGH
Things to Think About
PART III: EVALUATING AND SHARING STUDENT LEARNING
Chapter 5. Assessment
Quality Assessment
Assessment and Motivation
Getting Concrete
Conclusion
Things to Think About
Chapter 6. Beyond the Art Room: Studio Thinking for Advocacy and Integration
Making Habits Visible
Keeping Parents in the Loop
Collaborating with the School Community
Committing to Studio Thinking: A Day at the Maya Lin School
Things to Think About
Appendices: Resources for Teachers
APPENDIX A: MAKING STUDIO HABITS VISIBLE
APPENDIX B: STUDENT PLANNING AND REFLECTION
APPENDIX C: REFLECTING ON COMPLETED WORKS
APPENDIX D: TALKING ABOUT ART
APPENDIX E: DOCUMENTATION—COLLECTING AND KEEPING EVERYTHING TOGETHER
References
Index
About the Authors
Professors: Request an Exam Copy
Print copies available for US orders only. For orders outside the US, see our international distributors.